A small channel passion project (there a lot videos full of mostly dry world building or that is what it seemed like to me from what I sampled) to tell a story of a Dwarven Kingdom can now have its own music video. I stay out of the AI world on a daily basis but I do try to check in on it on occasion and it seems like what is low end (such as this video) is getting higher at a very breakneck pace.
What would some of us done with this when were young? Probably killed ourselves trying to force the AI to make it perfect
This is example of what an episode looks like….
One thing about the more traditional styles is that I find I have to listen to them louder then I would the more modern pop type treatments to really get the musical complexity and talent. Admittedly, that is because the first of these does not have the best recording compared to studio products. But the last one has excellent sound recording and I still needed to raise the volume higher then I normally have it to really appreciate it.
Normally artists are like anyone else. As they get older their output degrades and their best work is in the past.
But to everything there are exceptions. Leonard Cohen wrote “You Want It Darker” while he was in 80s and dying of cancer (he died 17 days after the album came out). The entire album would have been an achievement for anyone, much less someone in their 80s whose bones are breaking down under cancer. But I think that the title poem (I don’t think calling it a song accurate even though that it what everyone else calls it) is better then anything else the Cohen wrote when he was younger. It is as rich in imagery as his best work when he was younger but it is lot more disciplined and focused then the work he wrote as a younger man. As a result, it hits like a truck without seeming like it is trying to manipulate your emotions.
I think anyone can listen to this without knowing anything and find it very powerful. But if you want to get more out of this you need to remember that this is a very Jewish poem (the background chorus comes from his childhood synagogue). Perhaps the best thing people could do to improve their understanding of it would be to read this on the Jewish prayer Hineni and this on the Mourner’s Kaddish. I also think it is important to remember what lighting the candles on Hanukkah is remembering.
But I suspect (and I could be wrong as it is not as clear as the references above) that the most important reference in understanding this poem is the last part of Isaiah Chapter 50 which reads….
Who among you fears the Lord
and obeys the word of his servant?
Let the one who walks in the dark,
who has no light,
trust in the name of the Lord
and rely on their God.
But now, all you who light fires
and provide yourselves with flaming torches,
go, walk in the light of your fires
and of the torches you have set ablaze.
This is what you shall receive from my hand:
You will lie down in torment.
Regardless of the validity or lack therefore of my own understanding, you should listen to “You want it Darker” if you have not heard it yourself. It is the preeminent modern example of what good spoken poetry sounds like.
Why is it only the foreign choirs that seemed to be singing Michael Card Songs?
The Original.
The below is still the best English version I can find of O Come, O Come Emmanuel.