This skirt by the duo 6267 caught my eye. Clipped from The Wall Street Journal, February 23, 2007, in the Marketplace section. (The article was called A Duo called 6267 Adds a Spark in Milan.) I like the contrast between the fitted overskirt and pleated texture of the underskirt.

I clipped this from The Wall Street Journal, the February 23, 2007 Review: Theater. The picture is credited to Paul Kolnik, but this is only a small piece of that photo. (The play being reviewed was ‘Salvage’.) I like what they did with the shoulders.

(The title is reference to the book I learned how to read on, so you probably won’t “get” it.)

The picture has been clipped from The Economist, the article Medical statistics: Signs of the times.

Thanks to the comments on the original post, I discovered this is a painting by John Waterhouse, and that there are two different versions of it, as you can see here and here.

When I first read about Isaac Mizrahi’s Style Book magazine, I was doubtful that I would find it the slightest bit interesting. I’m not exactly a “style” kind of person–I don’t follow fads or fashion, don’t have money, and don’t care. I figured it would be another magazine telling you how to spend a lot Click Here to continue reading.

In the introduction, this site says:

Do you too suffer from an oversized ego? Does it need to become a bit smaller? Then join our club. Get rid of your identity and sew your own clone-dresses, just like we do!!

The funny thing is, it then goes on to show many different women wearing this one dress, all of whom have obvious amounts of ego or identity, and all of whom look totally different from each other. I’m not 100% certain whether this irony was intended or not. (It’s a flash site, so I can’t link to different portions of it. Click on “introducing” to see the intent of the project, and “results” to see all the pictures.)

The site is interesting to look, both in the variations on the dress and the variations in the people and their personalities, and even just that some of the shots have been composed very well. I think it’s fascinating to see how everyone’s “statement” becomes so much clearer in contrast to everyone else. Everyone has the “same” dress, but everyone is using it to deliberately say something different. A very wide range of people are covered: the goofy, the artsy, the trashy, the sophisticated, the “normal”, the ethnic, the sporty, the contemplative—the whole display is like looking at a slice of humanity.

Of the almost 150 images they had, I think this one was my favorite:

I’m not sure what part catches me the most. I’m not sure if it’s the setting–working outdoors–of which I have very fond memories of myself. Maybe it’s the apparent wind–I love being out in the wind. Or maybe it’s just that she appears so happy to be who she is, where she is, doing what she’s doing. In any case, the picture makes me smile every time I see it, and we can all use a smile in the middle of winter.

If I could wave a magic wand and make any blogger write more it would be Andrew. Most bloggers are very replaceable. Good economists are a dime a dozen and there are too many pundits. General interest blogs are generally boring (including mine) and single subject blogs are often not much better. But good poets Click Here to continue reading.

Two sisters from Latvia, Diaga Henson and Sarmite Svilis, collaborate together to make some really cool coats. You can visit their site to see what I’m talking about. My favorite coats are in the 2005 and 2007 collections. Although the colors aren’t always to my liking, I love that they are making perfectly functional coats that don’t look like every other coat out there. In some cases, the coats don’t always appear to be practical. For instance, the orange Frock in the 2005 collection appears to be closed by only a single button, letting in lots of drafts. In reality, the “garment” you see is actually part of the coat.

I find their “Classics” to be a lot less inspiring. Most of the coats there remind me of what you would see in a typical quilting or wearable arts magazine–a typical coat design with some decorative pieceing. Perhaps everyday people would feel more “comfortable” (that is, as though they’re not standing out too much) in those coats, but I figure if you’re going to go in for a penny, you might as well go in for a pound.

You can read more about them at Voice of America.

Everybody loves Madeline Vionnet.
Most people will tell you this is because she created the bias.
Some people will be technical enough to say that she was the first to work with fabric cut on the bias, but even that I must confess I am too jaded to believe in it’s entirety. Click Here to continue reading.